"J. Penry's work encompasses sexuality, the media, popular culture, and nostalgia, functioning as a reflection of himself and his generation. His sometime pornographic subject matter is almost satirical and is of vital sociological importance."
- Annie Ok, curator


Penry's bold line drawings are unabashed and distinct, vaguely reminiscent of Pettibon, but with a sly whimsy all their own. His artwork for numerous prominent NYC bands, such as Fiery Furnaces, Blood On The Wall, Panthers, and Love As Laughter, as well as his discriminating taste in sportswear, have made him one of the most renown figures of the current creative vanguard. In a fitting collaboration, GHava{Press} has chosen Penry to be the premier entrant in what will be a quarterly series of limited edition, collectible publications that will take an artist-by-artist approach to covering the best of both established and emerging creative talent.
BIO: Stephen J. Penry was born in 1977 the year of our Lord. Was raised in the church in a Southern Baptist family. He drew Garfield the cat when he was six, naked ladies at 14 and naked men at 24. J is sexually attracted to confidence, popularity and arrogance. J considers pornography more important than hanging with friends. J has made some pretty good friends despite his predilection for masturbation. J also believes in God because he feels guilty talking to his mother on the phone. J would like to close on a good note. He got miracle tickets to the protest on Saturday and that's awesome because he has not seen Soundgarden in a long time.
ISBN: 0 9716702 1 8

Castles and Christians
J. Penry, with forward by Jeffrey Jensen
$24.00
6.625 x 8.875 inches
Paperback, Gatefolded Cover
September 16, 2006
96 color pages
Limited edition run: 1,200
Hi Res. Press Images
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For additional information, please contact Sadek Bazaraa
(718) 388-5519